
Tess Dumon's life-size horse sculptures were suspended from the ceiling in the atrium at London's Central St. Martins art school.

The French postgraduate art student's sculpture is titled "Stabat Mater (Lorasifar, Depakin, Tegretol & Circadin)." It was inspired by her older brother's life-long struggle with epilepsy and autism. Each horse is named after the four medicines (listed in brackets in the title) prescribed to control his epilepsy.

The equine-themed work also relates back to her brother Louis' experience with horse therapy, which can help mentally and physically disabled people improve their strength, balance and motor coordination.

"He started doing the horse therapy when he was 15 and he's still doing it," Dumon explains. "It is the central theme in my work."

Dumon was going to do a business management degree before being persuaded by her parents to study art.

Dumon is halfway through a two-year Masters degree at the Royal College of Art in London.

Her latest equine-related work was commissioned by Ascot Racecourse, which wanted a bold sculpture for the King George VI meeting on July 24-25.

"I was completely thrilled," says Dumon. "It was a good opportunity because I hadn't made any horses since last year -- I was so happy to make another one."

Dumon (left) at work on her Ascot sculpture. The 24-year-old uses chicken wire which she cuts into pieces and reshapes.

Cuts and grazes go with the territory. "It's part of the job. No pain, no gain!" she explains, cheerfully.

"I usually work from the image in my head. For the Ascot horse they gave me a reference image to work from, which was more difficult," she says.

"What I like about the chicken wire is that you can see through it. There is a lightness, a transparency," Dumon adds.

"Horses are the central theme along with memory."

Voila! Dumon and her completed King George VI sculpture.

The Ascot sculpture was then festooned with flowers.