Bruce Mozert's underwater photography series was initially created as a commercial project for Silver Springs Park in Florida. Although the late photographer began the series as part of the park's marketing campaign, it now showcases a rare and romantic look at society at the time.
Bruce Mozert's underwater photography series was initially created as a commercial project for Silver Springs Park in Florida. Although the late photographer began the series as part of the park's marketing campaign, it now showcases a rare and romantic look at society at the time.
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Monroe first stumbled upon Mozert's work while researching Florida's Silver Springs area for an entirely different book. He saw Mozert's work at a gift shop, and was struck by each photograph's composition: "They were stunning -- I found them to be distinguished by their visual finesse, technical quality and cultural currency. I wanted to know their source, so I went to the studio to meet Bruce Mozert."
Monroe first stumbled upon Mozert's work while researching Florida's Silver Springs area for an entirely different book. He saw Mozert's work at a gift shop, and was struck by each photograph's composition: "They were stunning -- I found them to be distinguished by their visual finesse, technical quality and cultural currency. I wanted to know their source, so I went to the studio to meet Bruce Mozert."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Although this series began as a commercial project for the Silver Springs marketing team, Monroe points out how they effortlessly capture the concept of the American Dream at the time. "Like most everything else Florida, these images advertised the American dream. Mozert was not engaged with such notions of course; had he been the images would be too self-conscious to be so timeless and meaningful."
Although this series began as a commercial project for the Silver Springs marketing team, Monroe points out how they effortlessly capture the concept of the American Dream at the time. "Like most everything else Florida, these images advertised the American dream. Mozert was not engaged with such notions of course; had he been the images would be too self-conscious to be so timeless and meaningful."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Monroe points out that Mozert's attention to detail and experimentation with props and materials allowed for each underwater photo to so perfectly reflect the on-ground scene it was depicting. "Tiny fishing weights ensured that the hula dancer's grass skirt wouldn't float upwards, the bubbly in the glass of champagne resulted from Alka-Seltzer tablets, the smoke from the barbequing steak was made from condensed powdered milk."
Monroe points out that Mozert's attention to detail and experimentation with props and materials allowed for each underwater photo to so perfectly reflect the on-ground scene it was depicting. "Tiny fishing weights ensured that the hula dancer's grass skirt wouldn't float upwards, the bubbly in the glass of champagne resulted from Alka-Seltzer tablets, the smoke from the barbequing steak was made from condensed powdered milk."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Even for an image such as this one, Mozert and his team tested materials and props underwater before taking the photograph. "They tested the effect of the current on the arrow as it left the archer's bow -- she had to hit the target. No air hoses are visible in these photographs (with slight exception, they were not used). Silver Springs required something else -- the illusion of verity was key."
Even for an image such as this one, Mozert and his team tested materials and props underwater before taking the photograph. "They tested the effect of the current on the arrow as it left the archer's bow -- she had to hit the target. No air hoses are visible in these photographs (with slight exception, they were not used). Silver Springs required something else -- the illusion of verity was key."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
This juxtaposition of everyday activities being conducted in an unexpected location is, according to Monroe, the most alluring element of Bruce Mozert's work. "Maybe it's the precision of how the photographs encapsulated the sensibilities of a time and place that makes them special and timeless. His photos are, to me, so compelling and convincing. His photos make us suspend our disbelief long enough for the sublime quality of this art to work its magic. There's an unmatched surreal quality to his work."
This juxtaposition of everyday activities being conducted in an unexpected location is, according to Monroe, the most alluring element of Bruce Mozert's work. "Maybe it's the precision of how the photographs encapsulated the sensibilities of a time and place that makes them special and timeless. His photos are, to me, so compelling and convincing. His photos make us suspend our disbelief long enough for the sublime quality of this art to work its magic. There's an unmatched surreal quality to his work."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Although underwater photography is quite common in the industry today, Monroe points out that even now, few are able to capture these timeless moments quite the way that Mozert has. "None of today's underwater photographers, who are following the directorial mode of image making, are on the same wavelength as was Mozert. A couple of photographers back then also staged underwater imagery, but Mozert took it to a higher level. His work is more refined but still na?ve."
Although underwater photography is quite common in the industry today, Monroe points out that even now, few are able to capture these timeless moments quite the way that Mozert has. "None of today's underwater photographers, who are following the directorial mode of image making, are on the same wavelength as was Mozert. A couple of photographers back then also staged underwater imagery, but Mozert took it to a higher level. His work is more refined but still na?ve."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Mozert's work often feature groups of friends or couples caught in social moments. "The photographs showed the same reality that defined popular white male-dominated 1950s culture. Mozert commented about the sensual quality of women's hair underwater, and men drove those vacation-bound cars."
Mozert's work often feature groups of friends or couples caught in social moments. "The photographs showed the same reality that defined popular white male-dominated 1950s culture. Mozert commented about the sensual quality of women's hair underwater, and men drove those vacation-bound cars."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Pin-up models are also common in Mozert's photography. "Attractive young women doing everyday activities underwater characterize his most intriguing work. They are novel but also fascinating, visceral and real -- in the sense that they don't suffer from the heavy-handedness of self-consciousness."
Pin-up models are also common in Mozert's photography. "Attractive young women doing everyday activities underwater characterize his most intriguing work. They are novel but also fascinating, visceral and real -- in the sense that they don't suffer from the heavy-handedness of self-consciousness."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Although Mozert's underwater series were taken decades ago, Monroe points out that they are particularly captivating for viewers of today. "He never quite got the allure of his own work as being interesting photography in its own right. When I told him that I wouldn't be surprised by his work one day being shown at a Manhattan art gallery he almost rolled out of his chair in hysterical laughter. To him, it was all about making 'a saleable picture' back then for a few dollars."<br />
Although Mozert's underwater series were taken decades ago, Monroe points out that they are particularly captivating for viewers of today. "He never quite got the allure of his own work as being interesting photography in its own right. When I told him that I wouldn't be surprised by his work one day being shown at a Manhattan art gallery he almost rolled out of his chair in hysterical laughter. To him, it was all about making 'a saleable picture' back then for a few dollars."
? Bruce Mozert. Reprinted by permission of Bruce Mozert and the University Press of Florida.
Underwater treasures: 10 stunning vintage photos of the American Dream

Story highlights

Bruce Mozert's is a noted photographer from the 1940's

He has collected an incredible series of vintage underwater photographs

CNN  — 

A pioneer for underwater photography from the 1940’s, Bruce Mozert’s work challenged conventions by creating uncanny visuals of the American dream – entirely underwater.

Bruce Mozert is also recognized for his work as a set photographer on iconic film projects such as “Tarzan” and “Creature from the Black Lagoon,” but it is his underwater commercial projects for Silver Springs tourism that have stood out as his signature project.

Australia's 'national love affair': The swimming pool

This body of work has been compiled by Gary Monroe into a book titled “Silver Springs: The Underwater Photography of Bruce Mozert.”

CNN Style discusses Mozert’s work with Monroe through the gallery above.